Edward Abbey’s love letter to redrock country, Desert Solitaire, is 50 years old now. But a lot has changed in that time. The writer Amy Irvine joins us to offer a different take on Abbey’s season in the wilderness.
The writer Leslie Jamison said she had bought into the story that booze and a dark temperament were ingredients of beautiful art. So when she sobered up she had to ask herself whether you can write compelling stories about happiness.
The photographer Robert Mapplethorpe wanted to be more than just a photographer. He wanted to be a modern master. A new film offers a portrait of the artist who, at the height of his craft, flirted with self-destruction.
After the show today you might just ditch everything you thought you knew about the poet Emily Dickinson. Filmmaker Madeleine Olnek’s new film tries to correct the idea a lot of us have of Dickinson as a sullen, distant recluse.
We recently uncovered a collection of essays by the late naturalist and environmentalist Ellen Meloy. So Wednesday, we're reintroducing you to the beauty and wit found in her extraordinary writing.
Playwright JT Rogers joins us to talk about his award-winning Oslo. It's about the 1993 negotiations between Israelis and Palestinians. Rogers says theater, like diplomacy, works when it’s personal.
Friday, we're talking about the film 2001: A Space Odyssey. It's such a weird and mysterious film, and it's considered Stanley Kubrick's masterpiece. When it was released 50 years ago it drove the critics crazy, but audiences loved it.
Tuesday, scholar Stephen Greenblatt joins us to talk about Shakespeare's tyrants. In many of his tragedies, he grappled with this question: why would anyone be drawn to a leader unsuited to govern?
Stephen Groo has made hundreds of DIY movies in an oddball style that has earned him big-name fans and a crowd of haters. A new documentary film follows Groo’s efforts to make his dream project: an elf-human romance flick.
Wednesday, we're talking about the film 2001: A Space Odyssey. It's such a weird and mysterious film, and it's considered Stanley Kubrick's masterpiece. When it was released 50 years ago it drove the critics crazy, but audiences loved it.
