Gregory Barnes begins his Sundance short with this quote from former-LDS church president Gordon B. Hinkley: “In these latter-days, pornography has spread further, and reaches wider, than the Gospel of Jesus Christ. It is a tragic evil among us.”
While Woodstock dominated the music news in 1969, down in New York City, the Harlem Cultural Festival provided its 300,000 attendees with something more than sex, drugs and rock and roll. It gave many of them hope.
It had all the makings of a Hollywood blockbuster: The memoir of a young Jewish girl living in Germany in the 1940s who escaped Nazi persecution by fleeing to the woods and living with a pack of wolves.
If you’ve seen the 1975 blockbuster Jaws, you’ll likely remember the scene when a great white shark attacks the cage holding Richard Dreyfuss’ character – a real-life moment captured not by Steven Spielberg, but by marine filmmaker Valerie Taylor.
Director Brian Knappenberger’s Sundance documentary short Church and the Fourth Estatetells one man’s story–and the efforts to cover it up and silence him–of sexual abuse at the hands of his Scout leader when he was in middle school.
Through the 1980s to the early 2000s, astrologer and TV personality Walter Mercado was a household name in Latinx homes–reaching, at his peak, an estimated 120 million people with his daily horoscopes. Then, in 2007, Mercado disappeared.
On Feb. 13, 2017, as he was walking through Malaysia’s Kuala Lumpur International Airport, two young women approached North Korean royal family member Kim Jong-nam, smearing what proved to be VX nerve agent on his face. Within an hour, he was dead.
MIT researcher Joy Buolamwini was working with a facial recognition software when she encountered a problem: The robot she was programming could not detect her own face, and she had to wear a white mask in order to finish the project.