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In 1954, photographers Ansel Adams and Dorothea Lange traveled to southern Utah to capture life in three Mormon towns — Gunlock, Toquerville and St. George. We’ll talk with art historian James Swensen about what their images reveal and how these communities have evolved since then.

On October 9, the city of St. George hosted RadioWest at the Electric Theater. It was an opportunity to connect with our audience and talk about the past, present and future of the region.

This week we spoke with Matt Whitaker about his film “Truth & Treason.” He’s coming back to talk more about the movie, as well as making it with Angel Studios.

As plans take shape for an extensive homeless campus in Salt Lake City, a divide has emerged between those who support the current system of homeless services and a new guard that wants to take a more punitive approach to the problem.

Jack Kerouac published “On the Road” in 1957, and it became the defining novel of the Beat Generation. Today, a new documentary explores the book’s legacy.

In 1980, Jane Fonda and her producing partner Bruce Gilbert, took a serious issue — women in the workforce not receiving equal pay — and made it into the accessible and smash-hit comedy “9 to 5.” Starring Jane Fonda, Lily Tomlin and Dolly Parton, it became a pop culture hit.

What happens when a progressive Hollywood filmmaker and a conservative congressman team up to document one of the most volatile chapters in American politics? We’re talking with Steve Pink — director of “Hot Tub Time Machine” — and former Illinois Rep. Adam Kinzinger about their unlikely collaboration and the film that emerged.

The INN Between is the only end-of-life and recuperative care facility of its kind in the U.S. And it’s housed in a quiet neighborhood in Sugarhouse.

When the Maysels brothers showed up in 1972 to shoot a documentary film at the dilapidated estate of Grey Gardens in the East Hamptons, they didn't quite know what they were getting into, or what kind of movie they would end up with.

When it was released in 1999, "Fight Club", an anti-capitalist, borderline-nihilistic exploration of American male ennui, landed with a flop in U.S. theaters. The controversial film has since risen as a cult classic, and it might be even more relevant today.